THE DETECTIVES (DOYLE/HOLMES)


Sir Arthur Conan Doyle

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The house where Sir Arthur Conan Doyle lived in Edinburgh

Sherlock Holmes is doubtless the most famous of all the detectives. He is followed most probably by Charlie Chan. Others include Hercule Poirot, Mr. Moto, Sam Spade, Philip Marlowe and many more. Ranging from youngsters like Frank and Joe Hardy of the Hardy Boys and Nancy Drew to the elderly Miss Marple. The first genuine detective in literature is generally felt to be the creation of Edgar Alan Poe whose character C. Auguste Dupin Le Chevalier C. Auguste Dupin made his first appearance in Poe's "The Murders in the Rue Morgue" (1841). He reappears in "The Mystery of Marie Rogêt" (1842) and "The Purloined Letter" (1844). Dupin is seen as the precursor of Sherlock Holmes

Sherlock Holmes

Sherlock Holmes was the creations of Sir Arthur Ignatius Conan Doyle born in Edinburgh 22 May 1859 – 7 July 1930). Doyle was the son of Charles Altamont Doyle, a man of Irish descent and an Irish mother. He was one of 10 children. His given names are given on his baptism certificate is Arthur Ignatius Conan and his family name simply as Doyle. His godfather is listed as Michael Conan. Despite his Catholic family he renounced Christianity to become an agnostic

(Conan) Doyle was trained in medicine at the University of Edinburgh and was impressed by one of his professor’s named JAMES BELL after whom Sherlock Holmes is in part modeled. Doyle worked as a physician thereafter. He worked as a ship’s doctor and later in a partnership and then a not too successful private practice. While waiting for patients he began to write and published his first major work, a novel: A Study in Scarlet which introduced Sherlock Holmes, his most famous creation, although he wrote some historical novels and some science fiction ones including The Lost World It was followed by another novel The Sign of the Four. The remaining 2 novels The Hound of the Baskervilles (based in part no an actual event) and The Valley of Fear came later and were published in serialized form.

Holmes is of course known for his intellectual prowess, keen powers of observation, logical reasoning and knowledge of forensic science. In some senses he is the forerunner of the more popular forensics characters of today’s films and CSI programs. Doyle’s short stories about Holmes were published in The Adventures of Sherlock Holmes, The Memoirs of Sherlock Holmes, The Return of Sherlock Holmes, His Last Bow, The Case Book of Sherlock Holmes.

1. A Study in Scarlet (published 1887)
2. The Sign of the Four (published 1890)
3. The Adventures of Sherlock Holmes (contains stories published 1891–1892 in The Strand)
4. The Memoirs of Sherlock Holmes (contains stories published 1892–1893 in The Strand as further episodes of the Adventures)
5. The Hound of the Baskervilles (serialised 1901–1902 in The Strand)
6. The Return of Sherlock Holmes (contains stories published 1903–1904 in The Strand)
7. The Valley of Fear (serialised 1914–1915)
8. His Last Bow (contains stories published 1908–1913 and 1917)
9. The Case-Book of Sherlock Holmes (contains stories published 1921–1927)

Holmes became something of a nuisance to Doyle and so he killed him and his arch enemy Prof. Moriarty off in “The Final Problem”, but demand was so great he was forced to bring him back in another short story “The Adventure of the Empty House” and thereafter deal with another villain Col. Moran

NON DOYLE HOLMES STORIES

All the Holmes stories are all set in Victorian England. Any performance versions which are not, are therefore derivative.

This is the case with many of the Basil Rathbone films, possibly the best known of all the Holmes films). Between 1942 and 1946 Rathbone played Homes in 11 Holmes films and in a 12th where he has only a cameo appearance. Some of these films are based on Doyle stories but are updated to WW as propaganda film as happened with Charlie Chan as well.

1. Dressed to Kill (1946) aka Terror by Night (1946)
2. Pursuit to Algiers (1945
3. The Woman in Green (1945)
4. The House of Fear (1945)
5. The Pearl of Death (1944)
6. The Scarlet Claw (1944)
7. The Spider Woman (1944)
8. Sherlock Holmes Faces Death (1943)
9. Sherlock Holmes in Washington (1943)
10. Sherlock Holmes and the Secret Weapon (1943)
11. Sherlock Holmes and the Voice of Terror (1942)
12. Crazy House (1943). (Cameo appearance)

IMDB lists 226 entries for film and tv appearances of the detective. The Rathbone interpretations are the best known in films, while Jeremy Brett’s interpretation is considered the finest and closest to the writings of Doyle. DOYLE wrote 56 short stories and four novels in which Holmes appears.

A number of his films were anti Nazi propaganda films and were set in WWII London, some years after Doyle had died (July 7 1930)

Other films with Holmes like Young Sherlock Holmes deal with his youth and his meeting with Watson in school. Murder by Decree sets Holmes up against Jack the Ripper. Others like The Private Life of Sherlock Holmes and The Seven and a Half Percent Solution head in different directions. Several comedies including Without a Clue and They Might Be Giants can be found an a Peter Cook version of The Hound of the Baskervilles

Doyle actually worked on two closed cases getting decisions reversed and was partially responsible for the formulation of the court of appeals

HAMMER FILMS

Hammer Film Productions is a film production company based in the United Kingdom. Founded in 1934, the company is best known for a series of Gothic "Hammer Horror" films made from the mid-1950s until the 1970s. Hammer also produced science fiction, thrillers, Film Noir and comedies – and in later years, television series. Hammer films had low budgets, but nonetheless appeared lavish, making use of quality British actors and cleverly designed sets. During its most successful years, Hammer dominated the horror film market, enjoying worldwide distribution and considerable financial success. This success was due, in part, to distribution partnerships with major United States studios, such as Warner Bros.

During the late 1960s and 1970s the saturation of the horror film market by competitors and the loss of American funding forced changes to the previously lucrative Hammer-formula, with varying degrees of success. The company eventually ceased production in the mid-1980s and since then has remained in effective hibernation. But in 2000 the studio announced plans to begin making films again after it was bought by a consortium including advertising executive and art collector Charles Saatchi, but no films have been produced. In May 2007, the company behind the movies was sold again, this time to a group headed by Big Brother creator John de Mol, the Dutch consortium Cyrte Investments, who have announced plans to spend some $50m (£25m) on new horror films. The new owners have also acquired the Hammer group's film library.

The first big success with films comes with the Quatermass films which derive from a television program wirtten by Nigek Kneale

Quatermass Xperiment (The Creeping Unknown) (1955)
Quatermass 2 (Enemy from Sapce) 1957
Quatermass and the Pit ) (5,000,000 Years to Earth) 1967

These films were followed by the films for which the studio is perhaps most famous - the Peter Cushing Christiopher Lee horror films which derived from the old Universal horror films in the US but added color and gore. These included:

Curse of Frankenstein 1957
Dracula 1958
Revenge of Frankenstein (1958 )

HOUND OF THE BASKERVILLES (1959)

The Mummy (1959)
Phantom of the Opera (1962)
Old Dark House (1963)
The Evil of Frankenstein (1964)
Frankenstein Created Woman (1967
Frankenstein Must Be Destroyed (1969
The Horror of Frankenstein (1970)
Frankenstein and the Monster from Hell (1974)
The Brides of Dracula (1960)
Dracula: Prince of Darkness (1966)
Dracula Has Risen from the Grave (1968)
Taste the Blood of Dracula (1969)
Scars of Dracula (1970)
Dracula AD 1972 (1972)
The Satanic Rites of Dracula (1973)
The Legend of the 7 Golden Vampires (1974)
The Curse of the Mummy's Tomb (1964),
The Mummy's Shroud (1966)
Blood from the Mummy's Tomb (1971)

In addition to the horror films, Hammer also produced a num,ber of films dealing with prehistoric people. sometimes referred to as the 'cave girl' series directed by Michael Carreras:

One Million Years B.C. (1966), with Raquel Welch.
Slave Girls (1968), (aka Prehistoric Women)
When Dinosaurs Ruled the Earth (1970)
Creatures the World Forgot (1971)

Hammer's briefly fashionable cavewoman genre was parodied in Carry On Up the Jungle (1970)

Another route taken by Hammer was into the area of the pyschological thriller - a film genre closely allied with both mysteries and crime films.known as "mini-Hitchcocks" mostly scripted by Jimmy Sangster, and directed by Freddie Francis and Seth Holt. These very low-budget suspense thrillers, often in black-and-white, were made in the mould of Les Diaboliques, although more often compared to the later Psycho. This series of mystery thrillers, which all had twist endings.

Taste of Fear (1961)
Maniac (1963)
Paranoiac (1963)
Nightmare (1964)
Hysteria (1965)
Fanatic (1965)
The Nanny (1965)
Crescendo (1970)
Straight on Till Morning (1972)
Fear in the Night (1972).[31]

Others

The Two Faces of Dr. Jekyll (1960), a version of Robert Louis Stevenson's Jekyll and Hyde
The Curse of the Werewolf (1961), Oliver Reed's first starring role
The Phantom of the Opera (1962), starring Herbert Lom
She (1965), based on the novel of the same name by Rider Haggard
The Witches (1966)
The Anniversary (1968), with Bette Davis
The Lost Continent starring Eric Porter

On 29 May 1968, Hammer was awarded the Queen's Award to Industry in recognition of their contribution to the British economy. The official presentation ceremony took place on the steps of the Castle Dracula set at Pinewood Studios, during the filming of Dracula Has Risen from the Grave.[32]

The Hound of the Baskervilles

The hound of the Baskervilles has been made into a film at least 19 times in several different languages. The earliest known is in 1915 and is in German. Given the number of productions, different film makers have decided to cut sequences, add sequences, change characters and alter plot details in order to give each new audiene a twist that makes the solution a bit different from the last one. Although the book starts with an episode when Holmes returns home with Watson and discovers a cane that has been left behind by a Dr. Mortimer. Holmes challenges Watson to deduce information from the cane about its owner. Watson deduces some minor things correctly and then Holmes points out everything he missed. This opening episode is not included in all versions of the film. but seems to be an optional element in the story, as does the rather long episode about Sir Henry being followed about in London by a strange man n a cab and Holmes' and Watson's tracking down of the cabbie..

The idea that there is a structure to the story which allow you to define it is proposed by V. Propp in his book The Morphology of the Folktale in which he tries to define a set of rules for a folktale the same way a linguist would write a grammar of a language. The grammar woudl indicate what are the minimal elements a sentence can have and what elaborations there can be. Similarly it is possible to indicate the minimal form for a story as well as perhaps for a genre.

. On the other hand certain elements do appear in all versions - the missing boot of Sir Henry, the giving of clothes to the convict Selden, the developing relationship between Sir Henry and the woman who lives with Stapleton. .In all cases the repeated elements are those which are crucial to solve the mystery. These are clues which the writer has given to the audience in the structure of the story to allow the reader (audience) to match wits with the detective. In this version, the film makers don't play fair and villate some of the "rules" for mysteries. Holmes is given informatiom by Seldon which is withheld from the audience. On the other hand information is given to the audience that the detective does not have. Consider the opening sequence. In all versions, the story of Sir Hugo and the curse is shown as an actual event rather than being narrated as it is in the book. As a result there is a good deal more detail in what we see than in what Holmes hears.In the opening sequence we several several things which are clues to the audience but not to Holmes.. All the men in the room are without gloves, which is a clue abuut a genetic characteristic in the Baskerville family which will reveal the culprit at the end. Sir Hugo also finds a handkerchief in the tree ouside the window where the young woman who is his "prize" has been locked away. He uses the handkerchief to give the dogs the scent to find her, the same way that Sir Henry's missing boot will be used. (In some version the missing boot story is more complex than in others). These are things which test the audiences power of observation and deduction as the fim progresses and the sudience attempts to match wits with Holmes.

. There are many elements in the story which verges on the supernatural which allow the film maker to use techniques often associated with horror and supernatural films. Off screen sounds are common and the hound is heard throughout the film, although not seen until the very end,

Inclement weather also appears regulalry as a way of disguising what is close at hand.

The use of inclement weather such as fog and chiaroscuro lighting add mystery but also helped keep the budget down. Hammer was a studio that worked with low budgets but had higher production values that might be expected. In this way they are closed to the Lewton/Tourneur low budget high production value films, than they are to the lower budget Monogram films like the later Charlie Chan films

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