Spy in Black
(a.k.a. The Spy in Black).
1939
The Spy in Black 1939
It has been said that in some ways all people are like all other people; in some ways all people are like some other people; and in some ways all people are like no other people.
Whenever we deal with a film it will have some response universally; it will also have particular cultural response and will also have individual responses. Each film is a product of a specifiv time and place and according to some, a particular person. This last is the auteur theory of film – that the film is “authored” by the director. It has been clear that in many cases (see for example Val Lewton) that the producer’s stamp is more obvious than the director’s. Michael Powell and Emeric Pressburger also present complex challenges to the auteur theory but in a different way.
The films of Michael Powell and Emeric Pressburger result from a very unique collaboration which ultimately crystalized into the company known as “The Archers”, in which all the films were “written, produced and directed” by both men. Although Powell is generally seen as the director and Pressburger as the writer, it is perfectly clear that the situation is not that clear cut.
Despite radically different backgrounds (Pressburger was a Hungarian Jew who moved around Europe (Hungary, Germany, France and finally England); Powell was an English born man whose parents had a hotel in southern France where Powell spent a great deal of time and where he met Irish filmmaker Rex Ingram who inspired and encouraged him into film.
The duo is also intimately connected to a family of Hungarian Jews who had settled in England as well. Their name was original Kellner but changed it to Korda and the three Korda brothers were very involved in films.
In one sense, Powell and Pressburger share a kind of continental view of things. Britain is seen of course as “non continental”. The two shared an interest in continental European arts and so some of the aspects of their films contrast strongly with other British films of the time (e.g. Ealing Studios films).
Most of the class is probably unaware of the various British studious, film companies and performers and crew. This is somewhat true (to perhaps a lesser extent) of American performers of the same time period who may be better known. Since some of the British performers migrated over to Hollywood some of them are better known here than those who did not.
All films reflect the time and place in which they are made and so to some degree you need to have some knowledge of Europe in the period around and during WWII. This period and the situations that were going on at the time are enormously complicated and the everyday lives and experiences of the people who lived during and through WWII are probably not experienced by the people in the class, although they may have heard stories about the time period from relatives who did. As things progress, you will find more and more out about the period.
British films are perhaps easier for Americans than films of some other cultures where the films are accessible only through sub-titles for many. Despite the fact the both USA and Britain speak English they have been sometimes described as “Two Countries divided by a single language.
(attributed to both Oscar Wilde and George Bernard, Shaw in different formats)
Some of the English dialects are virtually unintelligible to speakers of other English dialects in Britain. Cockney and Scots are good examples and although Americans may struggle and understand a kind of “staged Scots” the real thing is another story.
Both Powell and Pressberger are simultaneously insiders and outsiders to the culture. Although born in England, Powell’s time away has given him a different “eye”. Pressburger as an outsider who has become an insider of sorts also has a different perception which in some ways makes both of them very susceptible to seeing the British and spotting what might be called “Britishisms”.
Geopolitical organization
The history of Britain is long and somewhat complicated and need not be gone into in any depth here. It is important to realize that there are four major divisions in what is known and the United Kingdom– England to the South, Wales to the West, Scotland to the North and Northern Ireland on an altogether different “island” called Ireland. Great Britain technically refers to all but Northern Ireland
Technically it is correct to call people from England, Scotland and Wales as British, but it is incorrect (to say nothing of unwise) to refer to the Scots, Welsh or Northern Irish as being English. It is a common error among Americans to think that English and British are synonymous, or that Great Britain and the United Kingdom are synonymous.
In mid-2012 the estimate of the number of people in the four countries were:
So it is easy to see that England is by far and a away the most populous of the four countries
England had long been an empire with many colonies. The US through the War of Independence broke free. Some of the other countries did not leave by warfare, and have maintained a closer relationship with the “crown”. Specifically Canada, Australia and New Zealand
Language and Culture Considerations
Not only by a language, and many cultural bits but also by a monetary system
Language in Britain has a great deal of local dialectical variation (see G.B. Shaw’s Pygmalion) as well as distinctly different languages. English, the dominant language of Britain is Germanic while Gaelic (Erse) and Welsh are Celtic. The Celtic languages were dominant until after the departure of Julius Caesar when Angles and Saxons, who spoke Germanic arrived. By 1066 there is a Norman invasion and French becomes the language of the upper classes while English remains the common language. It was for a while possible for a person to be arrested, tried and convicted in French, a language which many in Britain did not understand.
In many of these films there are a variety of dialects of English spoken as well as non-English languages. Scots, a variety of English is often felt to be impenetrable by speakers of other dialects of English. A Scottish form of “Received Standard” English is far easier to understand for most English speakers. In some of the films you will hear Danish, Dutch, French, Gaelic and German among others being spoken.
There are several names you need to become familiar with other than Michael Powell and Emeric Pressburger.
Michael Powell
Born Sept. 30 1905 Bekesborne, Kent (near Canterbury), England
Died Feb. 19th 1990 Avening Gloustershire England
European “sensibility” wrote for Hitchcock (Blackmail, uncredited) German expressionism was of interest
Grew up in England and south of France where his parents owned a hotel.
Emiric Pressburger (Imre József Pressburger )
Born to a Jewish family in Hungary Dec. 5th 1905 Miskolc Austria-Hungary (now Hungary)
Died Feb. 5th 1988 Saxstead, Sussex England
Educated Prague and Stuttgart
The Archers
Production Company headed by Powell and Pressburger
The Kordas (Kellner) Brothers, Alexander Korda Sándor László (Hungarian Jews):
J. Arthur Rank (22 Dec. 1888 – 29 March 1972) Producer/writer
Alfred Junge
London Films
Robert Flaherty
Ralph Vaughn Williams (pronounce "Rafe")
Alfred Hitchcock
Jack Cardiff
Conrad Veidt>br>
Until 1971 there was a different money system in use:
THE SPY IN BLACK
The Spy in Black comes from a novel by J. Storer Clouston OBE
Joseph Storer Clouston (23 May 1870, Cumberland – 23 June 1944, Orkney) was an Orcadian author and historian.
Clooston with the ou as in group. Clouston was a famous writer born to an old Orkney family. Writer and historian
The Most Excellent Order of the British Empire is an order of chivalry established on 4 June 1917 by King George V.[1][2] The Order is composed of five classes in civil and military divisions. In descending order of seniority, these are::
His story The Spy in Black was published in 1917. It is not much like the film from which uses the basic premise and the title
The film stars Conrad Veidt held by Powell to have been German Cinema and Valerie Hobson. Veidt appears as the somnambulist in The Cabinet of Dr. Caligari and a large number of German films
Valerie Hobson was born in Northern Island, the daughter of a British Army Officer. She was married to producer Anthony Haveklock Allan from 1939 rto 1952 when they divorced, in whose films she appeared and later to John Profumo !954 to 1998 when she died. Profumo was a major politician who is known for a short lived affair with Christine Keeler which brought down Harold MacMillan’s conservative government in Britain in 1963
She took up acting and went to Hollywood where she appears in Bride of Frankenstein and the Werwolf of London. Unhappy with the Hollywood system she returned to England and began to work in films there. She appeared in Alexander Korda’s production of The Drum (Drums) which was directed by his brother Zoltan Korda. It starred Sabu, Raymond Massey, Valery Hovson and Roger Livesey all of whom will appear in Powell Pressburge films.
The Drum followed Elephant Boy – a film which introduced Sabu to the world. Elephant Boy had started out as a documentary being made by Robert Flaherty for Alexander Korda who fired him and turned the film over to his brother Zoltan
Hobson will appear again with Veidt in Contraband (Blackout),
Watch at this point for examples of German expressionism as well as problematic atypical story lines. (German main character)
When is the film set? When is it made? What is the connection? WWI and WWII
Many of the actors in the film are returning or will return in other Powell or Powell/Pressburger films
Many of the technicians and behind the camera people can also be found in many of the films.
From one film it is hard to find common themes: but some that will become apparent are:
As you watch more and more of Powell Pressburger films, the list will grow.