STRANGERS ON A TRAIN
1951
Alfred Hitchcock

Terms

Semiotics: Study of signs
Hermeneutics: breaking of textual code
Cryptanalysis: breaking of ciphers (letter substitutions) and codes (word substitutions)

Symbol: something which stands for something in an arbitrary way: e.g. the word "dog" has an arbitrary relationship with the animal. Each language has a different word.

sign/icon has an intimate connection betwen the referent and sign. The footprint of the dog is based in reality, not an arbitrary relatioship. index: something like a fever which is a "sign" that the person is ill. Trope: figure of speech/metaphor

Motif: a recurrent thematic element in an artistic work

In writing the papers it is necessary you DOCUMENT things. IN this case we are not particularly interested in what someone else had to say, but rather we are interested in what you can show from the film itself. In this particular film we are particularly interested in symbols or images or tropes or motifs which occur which bear some significance to the film

These are things which can be found in still photographs. The idea in the paper is to show how the variables in the different areas are used to tell the story in the film you are writing about.

STRANGERS ON A TRAIN
1951
Alfred Hitchcock

Hitchock is a master of suspense. Remember difference between shock and suspense.

(a) shock is sudden suspense takes time.

a. Time can be stretched by cross cutting b. Film can speed up by making shots shorter c. Audience knows what characters don’t For this film we are more involved in symbols in the film In the case of this film the symbols are more relevant than those just dropped in for fun. That is they say something about the film,

The film is about exchanges and as a result there are many ways in which things about exchange an be shown in the film. What might they be?

AFTER THE FILM

Doubles: Things repeat. The number 2 or pairs are shown: Film opens with 2 people, showing only their 2 feet with shoes and continues from there/ There are 2 tennis rackets, there are two sisters, there are 2 women in GHuy's life, there are two detectives, there are two women with glasses, there are two peeople involved in the murder (Bruno and Guy; 2 potential murder victims etc.
Notice the sign over the entrance to the tennis court where the audience sits. It says "And treat those two impostors just the same". The line comes from Rudyard Kiplings poem "If":

If—

By Rudyard Kipling

(‘Brother Square-Toes’—Rewards and Fairies)
If you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or being lied about, don’t deal in lies,
Or being hated, don’t give way to hating,
And yet don’t look too good, nor talk too wise:

If you can dream—and not make dreams your master;
If you can think—and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two impostors just the same;
If you can bear to hear the truth you’ve spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build ’em up with worn-out tools::

If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: ‘Hold on!’:

If you can talk with crowds and keep your virtue,
Or walk with Kings—nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds’ worth of distance run,
Yours is the Earth and everything that’s in it,
And—which is more—you’ll be a Man, my son!:


Notice that the two "imposters" which are refered to are Triumph and Disaster". How does this relate to the story? Does the entire poem relate to the story?

There are verbal and visual jokes. Guy is going to play doubles; Bruno orders 2 doubles, Hitchcock appears carrying a double bass

Reflections: (as in the glasses) are doubles - the thing and its reflection - the reverse of what is seen is reflected. These can imply two-faced people or duplicity - both doubles

Reflections (and false) in glasses

Notice the glasses on Guy's wife, the blind man, and Barbara.
Notice the way Hitchcock makes you "see" from the murderer's viewpoit. Since the film needs to make us realize that the drive to kill may be in all of us, then it is necessary that we can identify in some way with the murderer We laugh when Bruno breaks the kid's baloon, ("Subversive": the film makes us complicit – we enjoy the crimes and often hope for the crimonal to get away with it.. How do you feel about the balloon popping scene – Did you laugh? What does that say. Of course the kid doesn’t look broken hearted about the balloon – just surprised). and there is also the shot of the murder as a kind of POV shot
We see the murder reflected and we see the flame later in Barbara's glasses when Bruno is strangling Mrs. Cunningham. Barbara says "He was looking at me", but we see what Bruno sees - the reflection in Barbara's glasses and we hear the carousel music which Bruno hears in his head. This is a kind of first person camera and first person microphone. The image and sound are only in Bruno's head)

Crosses: (in exchange things cross and also require 2 parts.

How many images of X’s are there? How many can you spot. Some people have found more than 120

the switches on the railroad track at the start of the film
Crossing gates
Crossed tennis rackets
Two crosses = double cross. In effect this is what Bruno feels Guy has done to him.

Doppelgänger (German for "double goer") A kind of "alter ego" that manifests itself physically as another person. In this sense Guy and Bruno are doubles.Bruno acts as a kind of incarnation of Guy's desire to rid himself of his wife.It is a kind of Jekyll and Hyde story

Circles: Things which go around. What goes around, comes around

Merry go round
ferris wheel
signs on amusement park
street lights
the sun

Light and Dark

The street in the scene where Bruno arrives to tell Guy he committed the murder is lit on one side with the Capitol building lit in the back. The other side is dark. Guy lives on the bright side. Bruno calls to him from the dark. Both of their faces are lit so one half is in shadow the other half in light. Good and enil in both, but Bruno's is unable to control the negative. (or at least does not see it as negative, but just a way of getting what he wants.

Bruno is in darker clothes - by then Guy is in Tennis white
Nruno moves into the dark at the fairgrounds
Darkness in Bruno's jouse as opposed to the lighter rooms where Guy is

Building of tension

Cutting between tennnis game and Bruno's traveling to the fair ground.
Awareness of time passing with images of the clock at the game and later the setting sun and the lights at the fair ground coming on
Loss of lighter into sewer and attemots to retrieve
acceleration in cuts - shots become shorter
the shooting of the merry go round operator and the speeding up of film (slightly higher speed (undercranked)
more and more people involved means more and more camera positions. At first it is Guy and Bruno and the camera looking from their positions at the other. Then the boy on the Merry-Go-Round; then his mother and the police in the crowd.
Shots of worker crawling under merry-go-round and the final crash
Sexuality in the film

There is some feeling of eroticism involving Bruno's relationship with Guy. Xharacters who are sexually ambiguous are also found in other Hitchcock films like Rope.